Another Happy Day

And it’s snowing today, bringing plans to scoot around town to a halt, so perhaps there will be another new piece later.


Why I Do This

I have been pushing this question around for a while. Yesterday I decided to push it to one side and just make something.

Be Exuberant

“Be exuberant but don’t knock anything over” is the title I gave this 6 by 8 inch drawing done with brush markers (Tombow and Le Plume) and a Sharpie ultra-fine point.

This was stealth exuberance , committed while propped up in bed letting the flu roll right over me.

Mighty Quiet Here

I don’t think I’ve ever gone this long without posting.

I’ve gotten swept away by embroidery … but I haven’t posted any of it. And I got a smartphone and have been seduced by Instagram. And a new PC and updated version of Paint Shop Pro (from 1 or 2 to 8) have been hard to adjust to. An addiction to streaming  Grey’s Anatomy is only now loosening its grip.

With the passing of the solstice, perhaps the tilt of my imagination will change back? We’ll see what happens in the next few months.

This week I got a little paper-art-fever again. I woke up one morning with the thought “I wonder what’s inside the egg.” To make my mystery egg, I used a number of media — charcoal, felt tip pens, paint pen, oil pastels, wax crayons, and a satisfying drizzle of India ink. Granted, the shape is more like an avocado than an egg.

Rae Missigman, maker of art marks, is one of my new inspirations or distractions. Since I love brush pens, I used very little else in this card except some fine-line marker and a little wax crayon. The style is not like Rae Missigman’s; it’s more that her work reminded me of something I like to do.

Arctic Explorer

The January/February 2005 issue of Quilts With Style put a quilt called “Polar Nights” on its cover. I liked the blocky polar bears.

Late Saturday night, I made a quick freehand sketch of the bears and colored it with markers. I was rushing, and the proportions came out all wrong. What are those creatures??

Still, the next morning, when the light in my room was very dim, the white bears glowed, and I was motivated to keep working with them.

I went to the page where the tiny segments of the bear pattern appeared and traced the pieces as if they were sewn together. I colored the tracing with two different shades of blue marker and put a little gesso on the bear’s body for texture [I guess the scan flattens it out.] I drew in some quilting lines. Then I pasted the colored tracing onto an index card for stability.

This bear was immediately likable. I began to see that he was an imperiled contemporary bear, living with diminishing sea ice. I drew him again freehand, using the bear above for my model and capturing just the outline.

This particular cheap box-store marker gives a chunky, faintly blurry line that I really like. (If it were waterproof I’d use it more.) There’s an echo of Keith Haring in the line.

These arctic explorations have been very instructive.


A mail art friend sent twenty of us copies of a glowing red collage she made of radish seed packets. She gave no instructions, so I decided that she probably wanted us to embellish it and pass it on. Just the kind of thing I love to do.

The original had no title. I call my version “You Can’t Have Too Many Radishes or Amaryllis or Ethnic Beads.”

All kinds of mark-making plus more collage.

Just Paint

Postcards for a swap on that theme: “just paint.”